From the enchanted cloaks and boots of legend and the starry robes of the archetypal wizard, to the regalia of the ceremonial magician and other potent mantles of sorcerous authority and magical power, there has long been an importance placed upon the proper ritual attire of the magus and witch.

This Treasures of the Sorcerers: Garments class-bundle is a self-contained module originally part of the larger five-part Treasures of the Sorcerers course series.  In this class, we explore the variety of consecrated raiment, vestures, and worn apparel of ritual magic and witchcraft. In examining these magical garments, we consider various perspectives on magical costumery, evoking a commanding presence, and the importance of dressing the part in our sorcery.

This survey of ritual attire and enchanted clothing explores both ceremonial robes of office and apparel created for particular effects such as magical cloaks, garters, and more; as well as examining the range of often religiously-significant garments discussed in the grimoires and working-books of conjurors and spiritworkers: from crowns and mitres, to stoles, albs, and phylacteries.

This class-bundle includes:

An Illustrated Lecture Recording (two hours duration)
Lecture Slide-Deck
Bibliography & Further Recommended Reading

A full table of contents of the class itself runs:

•        Legendary Garments
•        Ancient Chthonic Regalia
•        The Relic’d Clothing of Christ
•        Folkloric Enchanted Clothes
•        White Robes of the Priestly
•        Black Robes of the Nigromancers
•        Crowns of the Conjurors
•        Shoes of the Operator
•        Garters of the Magi
•        Planetary Dress-Codes
•        Lamens of the Magicians
•        A Tailoring Spirit
•        Concluding Remarks

 
By purchasing this class recording, you agree that you understand that no part of the material dictated or provided throughout the duration of the presentation may be reproduced, distributed, or used in any other form (neither electronic nor mechanic, including photocopies and recordings), without the direct and written consent of the instructor, Dr Alexander Cummins.